Nurse With Wound ‘Man With The Woman Face’ 2CD Set ICR DISTRIBUTION

Originally this was only available for a short period of time before World Serpent went bust and is often thought of as a ‘lost’ NWW work. There is also an extra CD with 3 tracks from the same sessions. The first is a remix of ‘African Mosquito’, the second an unreleased out-take and the third is a home demo of ‘White Light’.

Review from brainwashed.com : Longtime NWW fans are going to be very very very pleased with this album. Shaved down to a mere duo featuring Steven Stapleton and Colin Potter, this is almost a tribute to the more ambient and free-form early to mid-period Nurse with Wound. The original mission statement from 1978 included a provision that Steven Stapleton didn’t like “songs” and the last few full-length albums (‘An Awkward Pause’, ‘Acts of Senseless Beauty’, ‘Who Can I Turn To Stereo’ and ‘Rock ‘n Roll Station’) have all been heavily song-based. Clocking in at under 40 minutes, this particular journey is comprised of three pieces: the two endpieces which linger around the 15-minute mark and the 8+ minute middle piece, whose title loosely translates to “Up in the Air, Singing” in Gaelic. Musically, it’s perhaps the most intimate Nurse with Wound has been, with a particular, almost personal subtlety which I haven’t detected probably since ‘A Missing Sense.’ The album opens with a warm underscore, scatterings of organic and electronic noises twitter and scurry by, accented with quiet, mumblesome voices, bees, finger piano or marimba (I can’t tell) and various other sound effects -NOT- simply recycled from previous projects. It continues with an almost arguably surprising twist of events as the “band” jumps into full-force instrumental hyper Kraut-rock mode towards the end of the second track. The music and feel of the last track almost echoes the ‘Musical Pumpkin Cottage’-era work from Stapleton with Tibet. The vocals repeat the title over and over again, comfortably easing any listener into utter bliss. This album can easily become one of my most listened-to records for 2002.

Jon Whitney